Global Music Tourism Market Set for Significant Growth Driven by Festivals, Technology, and Emerging Trends

Music Tourism Market

The global music tourism market is poised for substantial growth over the next decade, with a projected Compound Annual Growth Rate (CAGR) of 9.2% from 2024 to 2034. Valued at USD 6,440 million in 2024, the market is anticipated to surpass USD 15,527.9 million by 2034—representing a remarkable 2.4X increase in market value. This growth is largely driven by the surge in global music festivals, an expanding fan base, and the evolving relationship between music and travel.

The Global Rise of Music Festivals

The music tourism industry has seen a tremendous boom, with countless music festivals emerging worldwide. Major events like Coachella, Glastonbury, Tomorrowland, and Ultra Music Festival are not just defining cultural moments but also driving significant economic impact in the host cities. The influx of international visitors to these festivals is not only beneficial for tourism but is also providing a major economic boost to local businesses such as hotels, restaurants, and retail.

Music lovers are increasingly willing to travel long distances to see their favorite artists perform live, and the diversity of genres and unique experiences at these festivals make them highly appealing to a wide range of attendees. The industry’s growth is no longer solely based on concert attendance but includes visits to music-related attractions such as museums, studios, and historic sites.

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Key Growth Drivers of the Music Tourism Market

  • Cultural and Music Diversity: As more travelers seek to experience different cultures and music genres, there is an increasing demand for international music events and local music scenes. This trend is fostering greater interest in destinations known for their vibrant music cultures.
  • Technological Advancements: Innovations in streaming, virtual events, and hybrid experiences are expanding the reach of music tourism. Fans now have easier access to discover new artists and events, while virtual experiences and live streaming make music festivals and concerts accessible to a broader global audience.
  • Young Generation’s Desire for Unique Experiences: Younger generations, particularly Millennials and Gen Z, are driving the demand for live music experiences. These tourists are increasingly seeking out unique and niche musical experiences, such as underground concerts and local gigs, in addition to mainstream festivals.
  • Economic Impact of Music Tours: High-profile music tours, like Taylor Swift’s Eras Tour, have demonstrated the substantial economic benefits that international music events bring to local economies. Cities hosting major tours see a significant increase in tourism, with fans flocking to these destinations for concerts, themed experiences, and related merchandise.
  • Increased Collaboration Between Music and Tourism Sectors: Growing partnerships between music event organizers and local tourism bodies are creating synergies that promote regional tourism. These collaborations often include bundled packages that offer both cultural and music-related experiences, further boosting the attractiveness of music tourism.
  • Expansion of Emerging Markets: Countries like India, with rapidly growing music tourism markets, are becoming key players in the industry. Emerging markets are hosting more international festivals and attracting global attendees, contributing to overall market growth.
  • Demand for Exclusive and Premium Music Events: There is increasing demand for “pay-to-visit” premium music events that offer unique experiences, exclusive performances, and integrated cultural activities. These events, often marketed through social media, encourage international travel for music lovers seeking exceptional experiences.

Regional Insights

  • United States: The U.S. music tourism market continues to grow steadily, with a projected CAGR of 5.7% through 2034, driven by major festivals and music events.
  • United Kingdom: The UK’s rich musical history and world-renowned festivals contribute to a moderate growth forecast of 5.9% CAGR through 2034, with strong tourism linked to top live performances.
  • Japan: Japan’s music tourism market is expected to grow at a robust 13.8% CAGR, fueled by rising interest in international acts and local music festivals.
  • China: China’s music tourism market is projected to expand at a 14.4% CAGR, driven by increasing local and international music events attracting a diverse audience.
  • India: India is emerging as a music tourism powerhouse with a remarkable CAGR of 18.7%, benefiting from an increasing number of international festivals and growing youth engagement in music events.

Competitive Landscape

The music tourism market features several leading brands with distinct strategies. AEG Worldwide excels in global venue management and event promotion, while LiveStyle focuses on electronic music festivals. Live Nation Entertainment offers a full range of services, including concert promotion and artist management.

Global Spectrum L.P. specializes in diverse venue management, and Venu Works Inc. prioritizes community-centered event operations. ID&T Belgium is known for large-scale electronic dance music festivals, while SFX Entertainment targets a global electronic music audience.

Percept Ltd. caters to India’s music scene with diverse festivals, and Only Munch Louder focuses on exclusive, intimate events. TAG Group offers luxury music tourism packages, and ACFEA Tour Consultants combines music with cultural travel experiences.

These companies leverage their strengths in venue management, event organization, and audience engagement to lead the global music tourism market.

Leading Music Tourism Brands

  • AEG Worldwide
  • LiveStyle
  • Live Nation Entertainment
  • Global Spectrum L.P.
  • Venu Works Inc.
  • ID&T Belgium
  • SFX Entertainment
  • Percept Ltd.
  • Only Munch Louder
  • TAG Group
  • ACFEA Tour Consultants

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Key Segments of Market Report

By Type:

In terms of type, the industry is bifurcated into local music and international music.

By Tourist:

Based on tourist, the industry is divided into pay to visit and get paid to visit

By Industry Vertical:

Depending on industry vertical, the industry is categorized into music tourism, fashion tourism, food tourism, sports tourism, medical tourism, and others.

By Region:

A regional analysis of the music tourism market is conducted across North America, Latin America, Western Europe, Eastern Europe, South Asia and Pacific, and the Middle East and Africa

About Future Market Insights (FMI)

Future Market Insights, Inc. (ESOMAR certified, recipient of the Stevie Award, and a member of the Greater New York Chamber of Commerce) offers profound insights into the driving factors that are boosting demand in the market. FMI stands as the leading global provider of market intelligence, advisory services, consulting, and events for the Packaging, Food and Beverage, Consumer Technology, Healthcare, Industrial, and Chemicals markets. With a vast team of over 400 analysts worldwide, FMI provides global, regional, and local expertise on diverse domains and industry trends across more than 110 countries.

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About the Author

Nikhil Kaitwade

Associate Vice President at Future Market Insights, Inc. has over a decade of experience in market research and business consulting. He has successfully delivered 1500+ client assignments, predominantly in Automotive, Chemicals, Industrial Equipment, Oil & Gas, and Service industries.
His core competency circles around developing research methodology, creating a unique analysis framework, statistical data models for pricing analysis, competition mapping, and market feasibility analysis. His expertise also extends wide and beyond analysis, advising clients on identifying growth potential in established and niche market segments, investment/divestment decisions, and market entry decision-making.
Nikhil holds an MBA degree in Marketing and IT and a Graduate in Mechanical Engineering. Nikhil has authored several publications and quoted in journals like EMS Now, EPR Magazine, and EE Times.

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